Discuss how origins are explored through realist and...

Discuss how origins are explored through realist and other conventions referring to Great Expectations and Frankenstein. Realism is the presentation of art to show life as it is. Realist fiction is the platform which allows the reader to be addressed in such a way that he or she is always, in some way, saying, Yes. Thats it, thats how it really is. The realist novel, in trying to show us the world as it is, often reaffirms, in the last instance, the way things are. In Great Expectations, and Frankenstein, we are exposed to the harsh certainties of realism, albeit whilst exploring very different story lines. Each respective author has employed various techniques to make their stories more believable. Both novels are†¦show more content†¦Through this technique, we are inside Pips mind, sharing his consciousness, and experiences. We are exposed to Pips origins and orphan status in the following passage: As I never saw my father or my mother, and never saw any likeness of either of the my first fancies regarding what they were like were unreasonably derived from their tombstones. The shape of the letters on my fathers gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, Also Georgiana Wife of the Above, I drew a childish conclusion that my mother was freckled and sickly. (Ch.1. p.3) This passage conveys Pips thoughts as they mingle with his perception of the outside world. We are immediately sympathetic toward Pip not only because he is an orphan, but also because of his naivety and romantic idealism when describing his parents. Pips wish to become a gentleman begins when he meets Miss Havisham and the beautiful Estella. He doesnt desire to be anything else, but is then forced, by Estella, to see himself from a completely different perspective: He calls the knaves, Jacks, this boy what coarse hands he has. And what thick boots! I had never thought of being ashamed of my hands before; but I began to consider them a very indifferent pair. (Ch.8. p.60) He then sees himself in a new light, and becomes extremely ashamed of his status. The normality of his life, and the people heShow MoreRelatedOrganisational Theory230255 Words   |  922 Pagesbringing together the very diverse strands of work that today qualify as constituting the subject of organisational theory. Whilst their writing is accessible and engaging, their approach is scholarly and serious. It is so easy for students (and indeed others who should know better) to trivialize this very problematic and challenging subject. This is not the case with the present book. This is a book that deserves to achieve a wide readership. Professor Stephen Ackroyd, Lancaster University, UK This newRead MoreOne Significant Change That Has Occurred in the World Between 1900 and 2005. Explain the Impact This Change Has Made on Our Lives and Why It Is an Important Change.163893 Words   |  656 Pagesof the New York City Landscape Gerda Lerner, Fireweed: A Political Autobiography Allida M. Black, ed., Modern American Queer History Eric Sandweiss, St. Louis: The Evolution of an American Urban Landscape Sam Wineburg, Historical Thinking and Other Unnatural Acts: Charting the Future of Teaching the Past Sharon Hartman Strom, Political Woman: Florence Luscomb and the Legacy of Radical Reform Michael Adas, ed., Agricultural and Pastoral Societies in Ancient and Classical History Jack MetzgarRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 Pagesprinting of this volume, have become obsolete and no longer correspond to the present state of my investigations.** Thus, in the case of partial changes in my orientation, or simply of new developments, or even when recent contributions to the field by other authors had to be accounted for, I have preferred toupdate merely by adding notes (rather long ones when necessary) instead of modifying the original texts. †  * Originally published in French under the title Essais sur la signification au cinema—TRANSLATOR